Author Archives: playwrightsmuse

About playwrightsmuse

Get produced, get published, let your brilliance shine! Follow along as we go through a step-by-step process for getting plays produced with the least amount of heartbreak and wasted postage and printing costs.

This is what schizophrenia *really* looks like

There’s this video that’s gone viral, and I can see why. It’s baffling, it’s disturbing, and I watched it several times. I found a transcription of this guy’s rant, and cleaned it up a little. I’ll post that below. But … Continue reading

Posted in How to Find/Create Characters | Leave a comment

The power of a good thank-you note

I was a reader for the Inkwell Festival last year, and to celebrate finally completing the first round of reading 500+ plays (!), they forwarded us some of the thank-you notes they got from playwrights. These thank-you notes were wonderful: … Continue reading

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Don’t pay to submit your plays

The other day, I got involved in an argument on a LinkedIn group about fees for playwrights to submit their plays. I think that playwrights should not have to pay fees to submit their plays. Yes, I know that festivals … Continue reading

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How to find theaters who will love your plays

Do you want to get more productions, with less heartache and less money wasted on postage and printing? Target your submissions carefully. Here’s how to do it. I’ve posted a bunch of ideas about this in the category How to … Continue reading

Posted in How to find Theaters who will Love your Plays | Leave a comment

Welcome to our newest follower!

Roxana Arama, thank you for following Playwright’s Muse! Everyone, you should look at Roxana’s blog, at http://roxanaarama.com/. She writes about history, using history in your writing, and growing up in Romania.

Posted in Welcome to new followers | 1 Comment

It worked! — a better scene from reading each character’s dialog

So, maybe you remember that I’ve been posting about a dialogue-editing technique I learned about at the Dramatists Guild conference back in August. I read through my play “How to Kill a Cactus,” and read only one character’s lines. Even … Continue reading

Posted in 1. Get Inspiration, 2. Dealing with Writer's Block, How to work on Dialog | Leave a comment

Why waste time? Start out strong!

I went to a play reading the other night. The playwright has a lot of experience, has gotten awards, has gotten work produced around the country. So I was surprised at how weak the play was, given the playwright’s experience … Continue reading

Posted in 1. Get Inspiration, 2. Dealing with Writer's Block, How to Create Plots | Leave a comment

Damn! I’ve become a better playwright

I have this play, “How to Kill Cactus,” that I thought was the crown jewel of my plays. It’s the most complete, the most ready-for-production play I’ve written. I was heartbroken when I suddenly saw the problems in it, and … Continue reading

Posted in My play "How to Kill a Cactus" | Tagged | Leave a comment

Reading one character’s lines — it works!!!

Do you remember that I posted, a while back, some great tips for working on dialogue that I learned at the Dramatists Guild conference in August? Here’s the link, if you want to refresh your memory: Problems with dialogue in … Continue reading

Posted in Dramatists Guild Conference 2013, How to work on Dialog, My play "How to Kill a Cactus" | Tagged | 1 Comment

Dream Logic — the essay by Kato McNickle

Kato McNickle, one of the presenters at the “Dream Logic” talk at the Dramatists Guild conference in August, wrote an essay based on her research on dream logic. “I woke myself up laughing. Laughing out loud at a play that … Continue reading

Posted in 1. Get Inspiration, How to Create Plots | Tagged | 1 Comment