-
Recent Posts
Recent Comments
Sid on Let’s get listed on… See above on My artist’s statement fo… Scot Walker on Tips from a synopsis clin… Shannon Mayhall on Accept your characters for who… günstiger autokredit on Getting my play produced, #28:… Archives
- March 2015
- February 2015
- January 2015
- July 2014
- May 2014
- April 2014
- March 2014
- February 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
Categories
- 1. Get Inspiration
- 2. Dealing with Writer's Block
- Applying to Seattle Rep's Playwrights Fellowship
- Dramatists Guild Conference
- Dramatists Guild Conference 2013
- Getting my play produced — "Lessons from Moonshine"
- Grant Proposal — Seattle CityArtist Project grants
- How-To's
- How to 'Show, Don't Tell'
- How to be a playwright that directors want to work with
- How to Create Plots
- How to Edit
- How to find Theaters who will Love your Plays
- How to Find/Create Characters
- How to get Good Feedback
- How to work on Dialog
- How to Work when You're Brain-Dead
- How to write a Synopsis
- How to write Cover Letters
- Lessons I've Learned from Reading Plays
- My play "How to Kill a Cactus"
- Race and Diversity in Theatre
- Reading of "Transplanted in Mississippi," November, 2011
- Submitting Plays
- The Distillery Tour — "Lessons from Moonshine"
- Uncategorized
- Welcome to new followers
Meta
Category Archives: How-To’s
Get more productions: how to be a playwright that directors want to work with
Do you want to get your plays produced more? Well, duh, of course. Besides writing the best play you can, and finding the theaters that will love your play, you can also be a playwright that directors want to work … Continue reading
The science behind good plays
Researchers have done a lot of work in the past few years on what makes a compelling story. You can use the results of their research to help you make your plays express your passion for what you’re writing. What … Continue reading
Too much material? Some inspiration for you
Have you ever had too much story? You know, where you have so many ideas and so many great scenes, you have to cut your script because nobody does four-hour plays anymore? Or, maybe you actually have two plays, or … Continue reading
Posted in 1. Get Inspiration, How to Edit
Leave a comment
This is what schizophrenia *really* looks like
There’s this video that’s gone viral, and I can see why. It’s baffling, it’s disturbing, and I watched it several times. I found a transcription of this guy’s rant, and cleaned it up a little. I’ll post that below. But … Continue reading
Posted in How to Find/Create Characters
Leave a comment
How to find theaters who will love your plays
Do you want to get more productions, with less heartache and less money wasted on postage and printing? Target your submissions carefully. Here’s how to do it. I’ve posted a bunch of ideas about this in the category How to … Continue reading
It worked! — a better scene from reading each character’s dialog
So, maybe you remember that I’ve been posting about a dialogue-editing technique I learned about at the Dramatists Guild conference back in August. I read through my play “How to Kill a Cactus,” and read only one character’s lines. Even … Continue reading
Why waste time? Start out strong!
I went to a play reading the other night. The playwright has a lot of experience, has gotten awards, has gotten work produced around the country. So I was surprised at how weak the play was, given the playwright’s experience … Continue reading
Reading one character’s lines — it works!!!
Do you remember that I posted, a while back, some great tips for working on dialogue that I learned at the Dramatists Guild conference in August? Here’s the link, if you want to refresh your memory: Problems with dialogue in … Continue reading
Dream Logic — the essay by Kato McNickle
Kato McNickle, one of the presenters at the “Dream Logic” talk at the Dramatists Guild conference in August, wrote an essay based on her research on dream logic. “I woke myself up laughing. Laughing out loud at a play that … Continue reading
Dream Logic — exercises
At that “Dream Logic” talk at the Dramatists Guild conference in August, the presenters passed out a booklet with an essay about dream logic, and two exercises. Kato McNickle gave me permission to post them here. The exercises were developed … Continue reading
Posted in 1. Get Inspiration, Dramatists Guild Conference 2013, How to Create Plots
Tagged dream logic
2 Comments